(This appendix is not part of the formal PNG specification.)
It would be convenient for graphics programmers if all of the components of an imaging system were linear. The voltage coming from an electronic camera would be directly proportional to the intensity (power) of light in the scene, the light emitted by a CRT would be directly proportional to its input voltage, and so on. However, real-world devices do not behave in this way. All CRT displays, almost all photographic film, and many electronic cameras have nonlinear signal-to-light-intensity or intensity-to-signal characteristics.
Fortunately, all of these nonlinear devices have a transfer function that is approximated fairly well by a single type of mathematical function: a power function. This power function has the general equation
output = input ^ exponent
The exponent is often called "gamma" and denoted by the Greek letter gamma.
output are both scaled
to the range 0
to 1, with 0 representing black and 1 representing maximum white (or
red, etc). Normalized in this way, the power function is completely
described by the exponent.
So, given a particular device, we can measure its output as a function of its input, fit a power function to this measured transfer function, and extract the exponent. People often say "this device has a gamma of 2.2" as a shorthand for "this device has a power-law response with an exponent of 2.2". People also talk about the gamma of a mathematical transform, or of a lookup table in a frame buffer, if its input and output are related by the power-law expression above.
But using the term "gamma" to refer to the exponents of transfer functions of many different stages in imaging pipelines has led to confusion. Therefore, this specification uses "gamma" to refer specifically to the function from display output to image samples, and simply uses "exponent" when referring to other functions.
Real imaging systems will have several components, and more than one of these can be nonlinear. If all of the components have transfer characteristics that are power functions, then the transfer function of the entire system is also a power function. The exponent of the whole system's transfer function is just the product of all of the individual exponents of the separate stages in the system.
Also, stages that are linear pose no problem, since a power function with an exponent of 1.0 is really a linear function. So a linear transfer function is just a special case of a power function, with an exponent of 1.0.
Thus, as long as our imaging system contains only stages with linear and power-law transfer functions, we can meaningfully talk about the exponent of the entire system. This is indeed the case with most real imaging systems.
If the end-to-end exponent of an imaging system is 1.0, its output is proportional to its input. This means that the ratio between the intensities of any two areas in the reproduced image will be the same as it was in the original scene. It might seem that this should always be the goal of an imaging system: to accurately reproduce the tones of the original scene. Alas, that is not the case.
One complication is that the response of the human visual system to low light levels is not a scaled-down version of its response to high light levels. Therefore, if the display device emits less intense light than entered the capture device (as is usually the case for television cameras and television sets, for example), an end-to-end linear response will not produce an image that appears correct. There are also other perceptual factors, like the affect of the ambient light level and the field of view surrounding the display, and physical factors, like reflectance of ambient light off the display.
Good end-to-end exponents are determined from experience. For example, for photographic prints it's about 1.0; for slides intended to be projected in a dark room it's about 1.5; for television it's about 1.14.
All CRT displays have a power-law transfer characteristic with an exponent of about 2.2. This is mainly due to the physical processes involved in controlling the electron beam in the electron gun.
An exception to this rule is fancy "calibrated" CRTs that have internal electronics to alter their transfer function. If you have one of these, you probably should believe what the manufacturer tells you its exponent is. But in all other cases, assuming 2.2 is likely to be pretty accurate.
There are various images around that purport to measure a display system's exponent, usually by comparing the intensity of an area containing alternating white and black with a series of areas of continuous gray of different intensity. These are usually not reliable. Test images that use a "checkerboard" pattern of black and white are the worst, because a single white pixel will be reproduced considerably darker than a large area of white. An image that uses alternating black and white horizontal lines (such as the gamma.png test image at ftp://ftp.uu.net/graphics/png/images/suite/gamma.png) is much better, but even it may be inaccurate at high "picture" settings on some CRTs.
If you have a good photometer, you can measure the actual light output of a CRT as a function of input voltage and fit a power function to the measurements. However, note that this procedure is very sensitive to the CRT's black level adjustment, somewhat sensitive to its picture adjustment, and also affected by ambient light. Furthermore, CRTs spread some light from bright areas of an image into nearby darker areas; a single bright spot against a black background may be seen to have a "halo". Your measuring technique will need to minimize the effects of this.
Because of the difficulty of measuring the exponent, using either test images or measuring equipment, you're usually better off just assuming 2.2 rather than trying to measure it.
A CRT has an exponent of 2.2, and we can't change that. To get an end-to-end exponent closer to 1, we need to have at least one other component of the "image pipeline" that is nonlinear. If, in fact, there is only one nonlinear stage in addition to the CRT, then it's traditional to say that the other nonlinear stage provides "gamma correction" to compensate for the CRT. However, exactly where the "correction" is done depends on circumstance.
In all broadcast video systems, gamma correction is done in the camera. This choice was made because it was more cost effective to place the expensive processing in the small number of capture devices (studio television cameras) than in the large number of broadcast receivers. The original NTSC video standard required cameras to have a transfer function with an exponent of 1/2.2, or about 0.45. Recently, a more complex two-part transfer function has been adopted [SMPTE-170M], but its behavior can be well approximated by a power function with an exponent of 0.52. When the resulting image is displayed on a CRT with an exponent of 2.2, the end-to-end exponent is about 1.14, which has been found to be appropriate for typical television studio conditions and television viewing conditions.
These days, video signals are often digitized and stored in computer frame buffers. The digital image is intended to be sent through a CRT, which has exponent 2.2, so the image has a gamma of 1/2.2.
Computer rendering programs often produce samples proportional to scene intensity. Suppose the desired end-to-end exponent is near 1, and the program would like to write its samples directly into the frame buffer. For correct display, the CRT output intensity must be nearly proportional to the sample values in the frame buffer. This can be done with a special hardware lookup table between the frame buffer and the CRT hardware. The lookup table (often called LUT) is loaded with a mapping that implements a power function with an exponent near 1/2.2, providing "gamma correction" for the CRT gamma.
Thus, gamma correction sometimes happens before the frame buffer, sometimes after. As long as images created on a particular platform are always displayed on that platform, everything is fine. But when people try to exchange images, differences in gamma correction conventions often result in images that seem far too bright and washed out, or far too dark and contrasty.
So, is it better to do gamma correction before or after the frame buffer?
In an ideal world, sample values would be stored as floating-point numbers, there would be lots of precision, and it wouldn't really matter much. But in reality, we're always trying to store images in as few bits as we can.
If we decide to use samples proportional to intensity, and do the gamma correction in the frame buffer LUT, it turns out that we need to use at least 12 bits for each of red, green, and blue to have enough precision in intensity. With any less than that, we will sometimes see "contour bands" or "Mach bands" in the darker areas of the image, where two adjacent sample values are still far enough apart in intensity for the difference to be visible.
However, through an interesting coincidence, the human eye's subjective perception of brightness is related to the physical stimulation of light intensity in a manner that is very much like the power function used for gamma correction. If we apply gamma correction to measured (or calculated) light intensity before quantizing to an integer for storage in a frame buffer, we can get away with using many fewer bits to store the image. In fact, 8 bits per color is almost always sufficient to avoid contouring artifacts. This is because, since gamma correction is so closely related to human perception, we are assigning our 256 available sample codes to intensity values in a manner that approximates how visible those intensity changes are to the eye. Compared to a linearly encoded image, we allocate fewer sample values to brighter parts of the tonal range and more sample values to the darker portions of the tonal range.
Thus, for the same apparent image quality, images using gamma-encoded sample values need only about two-thirds as many bits of storage as images using linearly encoded samples.
When more than two nonlinear transfer functions are involved in the image pipeline, the term "gamma correction" becomes too vague. If we consider a pipeline that involves capturing (or calculating) an image, storing it in an image file, reading the file, and displaying the image on some sort of display screen, there are at least 5 places in the pipeline that could have nonlinear transfer functions. Let's give a specific name to each exponent:
In addition, let's add a few other names:
display_exponent = LUT_exponent * CRT_exponent
gamma = 1.0 / (decoding_exponent * display_exponent)
When displaying an image file, the image decoding program is responsible for making gamma equal to the value specified in the gAMA chunk, by selecting the decoding exponent appropriately:
decoding_exponent = 1.0 / (gamma * display_exponent)
The display exponent might be known for this machine, or it might be obtained from the system software, or the user might have to be asked what it is.
In digital video systems, the camera exponent is about 0.52 by declaration of the various video standards documents. The CRT exponent is 2.2 as usual, while the encoding exponent, decoding exponent, and LUT exponent are all 1.0. As a result, the end-to-end exponent is about 1.14.
On frame buffers that have hardware gamma correction tables, and that are calibrated to display samples that are proportional to display output intensity, the display exponent is 1.0.
Many workstations and X terminals and PC clones lack gamma correction lookup tables. Here, the LUT exponent is always 1.0, so the display exponent is 2.2.
On the Macintosh, there is a LUT. By default, it is loaded with a
table whose exponent is 1/1.45, giving a display exponent (LUT and CRT
combined) of about 1.52. Some Macs have a "Gamma" control panel with
selections labeled 1.0, 1.2, 1.4, 1.8, or 2.2. These settings load
alternate LUTs, but beware: the selection labeled with the value
a LUT with exponent
display_exponent = (g/2.61) * 2.2
On recent SGI systems, there is a hardware gamma-correction
table whose contents are controlled by the (privileged) gamma
program. The exponent of the table is actually the reciprocal of
g that gamma prints. You can
g from the file
/etc/config/system.glGammaVal and calculate
display_exponent = 2.2 / g
You will find SGI systems with
g set to 1.0 and 2.2
(or higher), but the default when machines are shipped is 1.7.
On NeXT systems the LUT has exponent 1/2.2 by default, but it can be modified by third-party applications.
In summary, for images designed to need no correction on these platforms:
Platform LUT exponent Default LUT exponent Default gAMA PC clone 1.0 1.0 45455 Macintosh g/2.61 1.8/2.61 = 1/1.45 65909 SGI 1/g 1/1.7 77273 NeXT 1/g 1/2.2 100000
The default gAMA values assume a CRT display.
The original NTSC video standards specified a simple power-law
camera transfer function with an exponent of 1/2.2
(about 0.45). This
is not possible to implement exactly in analog hardware because the
function has infinite slope at
x=0, so all cameras deviated to some
degree from this ideal. More recently, a new camera transfer function
that is physically realizable has been accepted as a standard [SMPTE-170M].
if (Vin < 0.018) Vout = 4.5 * Vin if (Vin >= 0.018) Vout = 1.099 * (Vin
^0.45) - 0.099
Vout are measured on
a scale of 0 to 1. Although
the exponent remains 0.45, the multiplication and subtraction change
the shape of the transfer function, so it is no longer a pure power
function. It can be well approximated, however, by a power function
with exponent 0.52.
The PAL and SECAM video standards specify a power-law camera transfer function with an exponent of 1/2.8 (about 0.36). However, this is too low in practice, so real cameras are likely to have exponents close to NTSC practice.
Charles Poynton's "Gamma FAQ" [GAMMA-FAQ] is a excellent source of information about gamma, although it claims that CRTs have an exponent of 2.5. See also his book [DIGITAL-VIDEO].